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弗兰克·卡方
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★ 2020开年恐怖作品，荒岛求生却遇到恐怖魔物 ★ 到无人岛潜能开发的屁孩青年，原来早有神秘生物盯著他看，他要如何逃离这恐怖难测的小岛？ ★ 暗夜中不知名的双眼在寻找猎物，是外星生物还是恶魔缠身，让你心跳加速，头皮发麻，欢迎来试胆 托比（罗根米勒 饰）就是个沉迷手机游戏的屁孩，一晚，他不愿与父亲一起到家门外修车，让父亲被抢匪伤害身亡，让他极度自责而陷入恐慌，在老师建议下，与一群青年赴马来西亚海域的小岛进行自我训练，一座岛只有一个学员可以下船，在岛中只有靠自己进行野外求生，希望能藉由课程走出丧父阴影。 一向视手机如命的托比果然对野外适应不良，一下船就失去所有求生工具，但他意外在岛上遇到神秘的美少女玛德琳（克丽斯汀弗洛塞斯 饰）。从小在岛上长大的玛德琳教他求生知识，但也警告他到了晚上千万不要在岛上乱闯，因为她的妈妈很可怕...。托比在岛上失去音讯，课程教练前往岛上找他，却被一股神秘力量拖入森林，托比突然见到教练的尸体，知道这岛上确实有奇怪的力量，让他想要带著玛德琳逃走，却让自己陷入更危险的境地....
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丁怡瑱
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安娜·阿卡娜(《蚁人》《思想调查员》)将主演新片《回到中国》(Go Back to China)，美籍华裔女导演丁怡瑱(《已是香港明日》)执导。阿卡娜饰演一位挥霍信托基金混迹于派对的女孩，被父亲强迫去中国为家庭玩具企业工作。在这次旅程中，她得到了自身需要的现实检验，也和关系疏远的家庭重建友好关系。吴耀汉饰演其父亲，胡凯莉饰演母亲，陈凌饰演同父异母的姐姐。 丁怡瑱表示：“这是关于我的中国家庭的个人经历，我讲述这个故事很久了。能和这些才华横溢的亚洲演员合作，让这个故事鲜活起来，我非常兴奋。在好莱坞仍然缺少亚裔美国人的表现时，做这样的电影是一场硬仗，我非常感激能有机会讲述我的故事。” Unbound Feet Productions、Sophia Shek、Frederick Thornton等联合制片，将于春天在香港和深圳开拍。
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萨姆·德容
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Goldie, a precocious teenager in a family shelter, wages war against the system to keep her sisters together while she pursues her dreams of being a dancer. This is a story about displaced youth, ambition, and maintaining your spirit in the face of insurmountable obstacles.
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David James Gustafson
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Best friends Cliff and Otis plan to get rich quick by stealing from some of the most dangerous foes in the business: drug dealers. Going against the plan, the two spend the night partying, allowing the molikan.com audience to see that, in a certain light, the "bad guys" weren't really all that bad to begin with. Simply put, this film is just your everyday druggie, dramedy, indie musical that's filled with Germans, Jesus, banjos, bongos, beers, and bongs.
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Ronan Le Page
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剧场导演法兰克（皮欧．马麦 饰）在剧场打滚了十五年，这一夜，剧组担心他的剧本太过前卫，于是瞒著他让女主角修改了台词，失控的法兰克一时抓狂，竟自己衝上台代替「女」主角演出，引发现场一团混乱，最后他还以赴汤蹈火之姿，暴跌在观众席上，同时为这场演出以及他的演艺事业划下了ENDING。万念俱灰的法兰克只想过上朝九晚五的生活、重新出发；于是他找了一份看似超完（无）美（聊）的工作──博物馆警卫，任何参观的民众只要在MUSEUM裡饮食、拍照、或是偷摸馆藏作品，都难逃他的法眼…但是没有最疯，只有更疯，没想到这短暂的风平浪静，就在遇上他那SUPER CRAZY的女同事希碧儿（蕾雅．杜嘉 饰）之后，她为法兰克激起的不是涟漪，而是 TSUNAMI！
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吉图·乔瑟夫
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改编自2012年西班牙悬疑剧《女尸迷案》。 10年前的某夜，两辆汽车发生肇事后，一辆车将另外一辆车撞下悬崖。 10年后，霸道有钱的女高管，从美国回来当天心脏病突发死亡，结果当晚尸体在殡仪馆失踪。赶来的刑警，要求女高管丈夫来殡仪馆接受调查。在殡仪馆调查期间，丈夫多次发现女高管的痕迹，认定女高管未死。丈夫终于向刑警老实交代：自己出轨女学生，为了夺取女高管财产，设计了心脏病死亡的假象。此时，刑警开始露出真容，原来当年交通事故中死亡的是刑警的妻子，刑警女儿为了复仇和丈夫搞婚外恋，唆使丈夫杀害女高管。
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Kipp Tribble
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After years on the run, the mystery man known as "Trick" is back, but not on his own terms. Trick finds himself trapped in a cage with four other hostages - all of them paralyzed from the neck down. When Trick realizes that one of the other hostages is an old foe, Detective Epperson, the two begin working together to uncover the connection between them and their captor - a masked man they suspect is the infamous Deathstalker Killer. Meanwhile, Agent Bobby Church of the FBI is investigating Epperson's disappearance and discovers the detective vanished while he had been following a lead in the Deathstalker case. The search soon has Church crossing paths with Epperson's former partner, Scott, himself looking into the abduction of his friend, Olivia. After Scott and Church discover cellphone pictures of Olivia in the cage with both Trick and Epperson, they know they must race against the clock to find the location of the cage before time runs out, and the hostages are executed one-by-one.
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Brinda Master
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The lives of Mouna, a weather scientist who falls in love with Yaazhan, a quirky and loving guy. What happens to their relationship after a couple of years and how things take an unexpected turn after the arrival of Malarvizhi?
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。 Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
